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Matt Smith
Asylum of the Daleks
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Synopsis


Parliament of the Daleks
Parliament of the Daleks
 Kidnapped by his oldest enemies, who are more powerful than ever, The Doctor is forced on an impossible mission - to a place even the Daleks are too terrified to enter…

 The Doctor, Amy and Rory are transported to The Asylum - a planetary prison confining the most terrifying and insane of their kind.

 The Doctor must find a way to escape. But with Amy and Rory's marriage in meltdown, it is up to The Doctor to rescue the lone survivor of a crashed spaceship as well as to save his oldest enemies... and his friends' marriage.



General Information

Season: Thirty Three (New Series 7)
Production Code: 7-1
Story Number: 226 (New Series: 70)
Episode Number:785 (New Series: 89)
Number of Episodes: 1
Percentage of Episodes Held:100%
Production Dates: March 2012
Broadcast Date: 01 September 2012
Colour Status: HD Colour
Studio: BBC Wales (Upper Boat, Pontypridd)
Location: None
Writer:Steven Moffat
Director:Nick Hurran
Producer:Marcus Wilson
Executive Producers:Caroline Skinner and Steven Moffat
Assistant Director:Danielle Richards
Script Producer:Denise Paul
Script Supervisor:Steve Walker
Script Editor:John Phillips (Assistant)
Editor:Jamie Pearson
Production Executive:Julie Scott
Production Manager:Phillipa Cole
Production Assistants:Rachel Vipond and Samantha Price
Post Production Supervisor:Nerys Davies
Production Designer:Michael Pickwoad
Director of Photography:Neville Kidd
Casting Director:Andy Pryor CDG
Line Producer:Diana Barton
Costume Designer:Howard Burden
Make-Up Designer:Barbara Southcott
Cameramen:Cai Thompson (Assistant), Meg De Koning (Assistant), Sam Smithard (Assistant) and Joe Russell (Operator)
Visual Effects:The Mill
Special Effects:Real SFX
Prosthetics:Millennium FX
Stunt Co-ordinators:Crispin Layfield and Gordon Seed
Incidental Music:Murray Gold
Special Sounds (SFX Editor):Paul Jefferies
Sound Recordist:Deian Llyr Humphreys
Music Orchestrated By:Ben Foster
Music Conducted By:Ben Foster
Music Performed By:The BBC National Orchestra of Wales
Music Recorded By:Jake Jackson
Music Mixed By:Jake Jackson
Title Sequence:Frame Store
Title Music:Ron Grainer and the BBC Radiophonic Workshop. Arranged by Murray Gold
Daleks Originally Created By: Terry Nation
Number of Doctors: 1
The Doctor: Matt Smith (The Eleventh Doctor)
Number of Companions: 3The Companions: Karen Gillan (Amy Pond), Arthur Darvill (Rory Williams) and Jenna-Louise Coleman (Oswin) (Joins and Dies) Additional Cast: Anamaria Marinca (Darla), Naomi Ryan (Cassandra), David Gyasi (Harvey), Nicholas Briggs (Voice of the Daleks), Barnaby Edwards (Dalek 1), Nicholas Pegg (Dalek 2)Setting: The Dalek Asylum Villain: Daleks

The Episodes

No. Episodes Broadcast
(UK)
Duration Viewers
(Millions)
In Archive
785Asylum of the Daleks01 September 201248'50"8.3Yes

Total Duration 49 Minutes


Audience Appreciation

Average Viewers (Millions) 8.3
Doctor Who Magazine Poll (2012)85.30%  (Position = 2 out of 5)
Doctor Who Magazine Poll (2014)79.87% Lower (Position = 49 out of 241)
Doctor Who Magazine Poll (2023) Position = 17 out of 39


Archives


 This story exists and is held in the BBC's Film and Videotape Library.



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Notes


This story, the first of Season Thirty Three (New Searies 7), sees the spectacular return of The Doctor's oldest enemies, the Daleks.

Executive Producer Steven Moffat mentioned in 2011 that he intended to rest the Daleks and so, aside from a brief cameo in the 2011 story "The Wedding of River Song", this is the first appearance of the show’s most iconic monsters since the 2010 story "The Pandorica Opens/The Big Bang". The reason for the rest was because it was felt that their frequent appearances made them the ‘most reliably defeatable enemies in the universe’. With "Asylum of the Daleks" he intended to make them scary again and to remind audiences of their true intentions. He thought the best way to do this would be to show Daleks that were considered even madder than usual.

This is the first Dalek story Steven Moffat has written for the show - he stated that he ‘couldn't resist’ the opportunity.

"Asylum of the Daleks" has been described as being the biggest Dalek story ever with more Daleks on a Doctor Who set then ever before with 25 Daleks with models from ranging from 1963 to 2010. Executive Producer Caroline Skinner has said that ‘there was just a real magic and sense of history about having them’.

The production team managed to locate the remaining models of the various versions of the Daleks and shipped them to the studios in Cardiff Bay. This included a replica Dalek, owned by former Executive Producer and head writer Russell T Davies, and the Special Weapons Dalek from the 1988 Seventh Doctor story "Remembrance of the Daleks".

Actor Nicholas Briggs once again provides the voice of the Daleks, as he has done since Dalek in 2005 - while Barnaby Edwards and Nicholas Pegg once more operate the creatures themselves.

This story has been directed by Nick Hurran whose previous credits include "The Girl Who Waited" and "The God Complex".

This story was the first to feature actress Jenna-Louise Coleman, who is due to appear as The Doctor's next travelling companion in the 2012 Christmas special. In March 2012, it was announced that Jenna-Louise Coleman would replace Karen Gillan and Arthur Darvill when they leave the show at the end of 2012. It was Steven Moffat's idea to have her appear in this story as the character of Oswin. Her appearance was successfully kept a secret from the general public prior to this story’s broadcast, despite the episode having several preview showings prior to broadcast. After broadcast, Jenna-Louise Coleman and Steven Moffat both issued statements thanking the press and fans for keeping her debut - months before her official first story - a secret. Whether Jenna-Louise Coleman's later character is the same as Oswin has yet to be confirmed.

This story marks the first appearance of a new title sequence. It contains the same music and time vortex animation as the sequence used for the two previous seasons, but the font of the opening credits and the style of the logo have changed. The sequence appears to have some colour adjustments as well - the vortex has hints of green, while the TARDIS itself is a slightly darker blue with vibrant yellow lighting emanating from the TARDIS windows. The footage also has less-sharp focus, casting a more dream-like atmosphere to the sequence.

This new title sequence includes a unique logo mimicking the Daleks' distinct bodywork. The production team have confirmed that the title sequence for every story in this season will have slightly different stylized versions of the Doctor Who logo.

Many of the props used in this story were built from scratch. While the snow scenes on the asylum planet were filmed during the production of "A Town Called Mercy".

The Asylum is stylistically similar to the Dalek’s city first seen in the 1963 First Doctor story "The Daleks".

There are several references to "Remembrance of the Daleks" in this story. There is no explanation as to why Skaro still exists, despite being destroyed by the Seventh Doctor tricking the Daleks into blowing Skaro up. The Daleks also have a Prime Minister - it is though unclear why the Daleks now have a democratic system and a parliament when they have been led by an Emperor since "Remembrance of the Daleks". The Special Weapons Dalek from "Remembrance of the Daleks" can also briefly be seen.

Various other models of the Daleks from different points in the show’s past are visible in the Asylum, mostly in the background. These include many of the gold, post-Time War Daleks, ("Dalek" onwards) a Supreme Dalek of the New Dalek Paradigm, ("Victory of the Daleks" onwards) a Renegade Dalek, ("Resurrection of the Daleks") several of the earlier silver Daleks, ("The Power of the Daleks" and "The Evil of the Daleks") and the grey wooden-looking Dalek models, ("Day of the Daleks" to "The Five Doctors") and a black Dalek identical to Dalek Sec. ("Army of Ghosts/Doomsday", "Daleks in Manhattan/Evolution of the Daleks").

The Daleks in the intensive care section of the Asylum are survivors of encounters with The Doctor on planets such as Spiridon ("Planet of the Daleks"), Kembel ("Mission to the Unknown" and "The Daleks' Master Plan"), Exxilon ("Death to the Daleks"), Aridius ("The Chase"), and Vulcan ("Power of the Daleks").

The Doctor is seen on Skaro - the original planet of the Daleks. The planet was last seen on-screen in the 1996 Seventh Doctor story "Remembrance of the Daleks"). It has also appeared more recently in the Adventure Game "City of the Daleks", in which it looks the same as it does in this story, complete with acid rain.

Dalek prison camps are mentioned, and The Doctor expresses some familiarity with them. (see the 1975 Fourth Doctor story "Genesis of the Daleks").

In her opening speech, Darla refers to The Doctor fighting in the Time War and also to The Doctor faking his death in the 2011 stories: "The Impossible Astronaut/Day of the Moon" and "The Wedding of River Song".

The Daleks have the ability to turn people both living and dead into human Daleks, via the use of nanogenes. Time Lords are immune to this technology. The nanogenes' behaviour in rewriting biology and ability to alter humans into hostile creatures is similar to those introduced in the 2009 Ninth Doctor story "The Empty Child/The Doctor Dances".

The Daleks refer to The Doctor as the ‘Predator of the Daleks’.

The final question of ‘Doctor who?’, besides being a call back to the programme's title, is ‘the question that must not be answered’ that Dorium asks at the end of "The Wedding of River Song".

In the closing exchange in the Parliament, The Doctor also refers to one of his nicknames as being ‘the Oncoming Storm’. This was introduced in the novelisation of "Remembrance of the Daleks" and was first mentioned in the 2009 Ninth Doctor story "Bad Wolf/The Parting of the Ways".

A section of the "Habanera" from the Georges Bizet opera Carmen is heard with The Doctor claiming he was responsible for playing the triangle in the recording. "Feel the Love" by Rudimental is also heard.

The chair Oswin sits in appears to be identical to the chair Jenny sits on in the spaceship in the 2008 Tenth Doctor story "The Doctor's Daughter".

Oswin is heard to say that she has been surviving in her crashed spaceship by baking soufflés. This statement though troubles The Doctor as she has no access to milk or eggs – Something he deduces is important.

It is revealed that Amy can no longer have children due to what happened on Demons Run.

At the beginning of this story Amy and Rory sign divorce papers. The divorce papers confirm that their house since the end of "The God Complex" is in southwest London, not Leadworth.

When Amy and Rory make up Rory mentions waiting outside a box for two thousand years ("The Pandorica Opens/The Big Bang").

The two depicted survivors of the Alaska crash have the forename Harvey and the surname Oswald. Doctor Who premiered with "An Unearthly Child" on 23rd November 1963, the day after American President Kennedy was assassinated by Lee Harvey Oswald. The event was referenced in the 2009 Ninth Doctor story "Rose" - which also referenced Oswald directly.

The Doctor brags that he has exceptional aim with teleports after he teleports himself and his two travelling companions into the TARDIS. Rose Tyler had previously remarked that The Doctor was ‘good with teleports’ in the 2009 story "Boom Town".

The Doctor says that when the force field is taken down, the entire planet will get ‘explodey-wodey’. A statement he has used in "Blink", "The Doctor's Wife" and "The Doctor, The Widow and the Wardrobe".

The closing scene, when Amy and Rory are back home, is similar to that seen in "The Wedding of River Song".

This story contains a number of errors. Namely: When The Doctor, Amy and Rory are in the Dalek Holding Cell, the circular platform they are standing on lifts. On one shot, it shows them and the Daleks looking all around them - The Doctor is looking towards the camera - but in the next shot, The Doctor is looking upwards into the Dalek Parliament; The wide shots of the Dalek Parliament do not match the close-up shots; When The Doctor says ‘It's Christmas!’ in the Dalek Parliament, the shot shows a large number of gold Daleks and a few Paradigm Daleks. Except the shot has been reversed and the suckers are where the guns should be, and the guns are where the suckers should be; When Oswin runs to the screen to talk to The Doctor for the first time, the flower in her hair falls to the floor. Once she reaches the screen it is in her hair again; When Rory is being sent to the Asylum, upside down, he yells ‘Wrong way up!’ twice. His mouth though only moves to him saying ‘wrong way’; The first Dalek Rory approaches inside the asylum has indicators on both sides from his perspective, but when the camera is behind the Dalek the light on the right hand side is missing; The Doctor has a plaster on his finger that keeps disappearing and reappearing; In the final scene where The Doctor is in the TARDIS, you can see the overhead camera reflected in the glass floor next to the console.

A preview of this story was screened at BFI Southbank on the 14th August 2012 and at the MediaGuardian Edinburgh International Television Festival during 23rd – 25th August 2012. On the 25th August 2012 it was also screened in New York City and Toronto.

This story was first broadcast on BBC One, BBC America and Space on the 1st September 2012. It also premiered in Australia on the Australian Broadcasting Corporation's on-demand and catch-up service iView immediately following the UK broadcast. This was the first time Doctor Who had debuted on Australian television in this way. A traditional free-to-air screening on ABC1 followed on the 8th September 2012.

A prequel to this story was released on iTunes, Zune, and Amazon Instant Video on 2nd September 2012 for US and UK subscribers to the series. This short sequence has The Doctor taking tea when a hooded messenger informs him that a woman, Darla von Karlsen, requests his help in freeing her daughter. The messenger provides space-time coordinates to the planet Skaro.

A five-part mini story prequel called "Pond Life" was released online in the week leading up to the first broadcast of this story. It was then shown as an omnibus version on the Red Button an hour before "Asylum of the Daleks" started. The fifth part hints at Amy and Rory's divorce.



First and Last

The Firsts:

 The first story of Season Thirty Three (New Series 7).

 The first Dalek story Steven Moffat has written for the show.

 The first Dalek story since the 2010 story "Victory of the Daleks".

 The first appearance of the Special Weapons Dalek from the 1988 Seventh Doctor story "Remembrance of the Daleks".

 The introduction of companion Clara 'Oswin' Oswald played by Jenna-Louise Coleman.

 First appearance of a new title sequence.

 The first Doctor Who story that has debuted on the Australian Broadcasting Corporation's on-demand and catch-up service immediately following the UK broadcast.

 Howard Burden's first involvement in the show as Costume Designer.

 Denise Paul's first involvement in the show as Script Producer.

 Steve Walker's first involvement in the show as Script Supervisor.

 John Phillips' first involvement in the show as Script Editor.


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The Plot

WARNING: May Contain SpoilersHide Text
Asylum of the Daleks

A Humanoid Dalek
A Humanoid Dalek

The Doctor is lured to the ruins of Skaro, the original homeworld of the Daleks, by a woman called Darla who asks The Doctor to save her daughter from a Dalek prison camp. However, The Doctor realises that this is all a trap: unbeknownst to Darla, she has actually been converted into a sleeper agent of the Daleks. When The Doctor informs her of this, her programming becomes active, and she stuns The Doctor, just as a Dalek saucer arrives to take him to the Parliament of the Daleks. There he is reunited with Amy and Rory, who have been similarly kidnapped from present-day Earth, just after Rory has delivered Amy their divorce papers at one of her photo shoots.

Within the Parliament of the Daleks, and much to The Doctor’s surprise, the assembled Daleks don't exterminate him. Instead the Daleks want him to save them. The Prime Minister of the Daleks explains that the Daleks have a planet known as the Asylum, where they dispose those of their kind who go wrong: the insane, the battle-scarred and the uncontrollable. The Daleks though are unwilling to engage with the inmates themselves, as destroying such pure hatred face-to-face would contravene their sense of ‘beauty’, much to The Doctor's revulsion.

The Daleks have captured The Doctor because they have received an unknown transmission from the Asylum which The Doctor recognises as being "Habanera" from the play Carmen. It is from a woman, Oswin Oswald, who claims to be on board the Alaska, a spaceship which has crashed into the Asylum, and who has been fending off Dalek attacks for a year.

Parliament of the Daleks
Parliament of the Daleks

The crash of the Alaska has ruptured the planet's force-field and so is risking the escape of the planet's inmates. A planet of insane Daleks roaming free is something that scares even the Daleks and is something that they want to prevent. The Parliament of the Daleks therefore now wishes to destroy the planet remotely, but the force-field has not been ruptured sufficiently to allow this. The force-field can only be deactivated from the planet itself but, afraid to face such a mission themselves, the Parliament of the Daleks task The Doctor, Amy and Rory to do this for them.

Despite protesting The Doctor and his two travelling companions are given bracelets to protect them from the planet's nanogene cloud, which would convert them into Dalek puppets to serve the facility's security systems. They are then dropped through the force-field breach via a gravity tunnel onto the frozen surface of the planet. The Doctor and Amy land close to each other and are discovered by Harvey, another survivor from the Alaska. Rory, however, is dropped to the bottom of a long shaft directly into the Asylum - there he accidentally awakens some of its inhabitants, but is saved and guided to a safe room by Oswin, who has managed to access the computers.

The Doctor Meets the Daleks
The Doctor Meets the Daleks

Meanwhile Harvey is revealed to be a Dalek puppet, converted by the nanogene cloud. A similar fate has befallen the corpses of the other Alaska survivors, who re-animate and attack The Doctor and Amy, stealing her bracelet just before the pair are saved by Oswin and guided to Rory. Now unprotected from the nanogenes, Amy begins to be converted into a Dalek puppet and begins experiencing memory loss and hallucinations.

The Doctor guesses that the Daleks will destroy the planet as soon as he deactivates the force-field, before he and his companions can escape. However, he realises that Rory's hideout is a telepad via which they can all teleport back to the Dalek’s spaceship. Oswin though only agrees to deactivate the force-field in return for The Doctor coming to save her – which he agrees to do despite wondering how she has managed to survive unprotected from the nanogenes for so long. She explains that she managed to shield herself from it.

While The Doctor is gone, Rory tries to give Amy his bracelet. The Doctor having previously explained that love slows the Dalek puppet conversion, and Rory justifies that by ‘coldly and logically’ asserting that he has always loved her more than she loves him, thus he would be converted more slowly - reminding her of his 2000-year vigil ("The Pandorica Opens/The Big Bang"). Amy though angrily replies that she loves him equally, but gave him up since she can no longer have children, as a result of the events that took place at Demons Run ("A Good Man Goes to War"), something that she knows Rory has always desired. They then realise that The Doctor has already given Amy his own bracelet but didn't tell them, in order to allow the two to converse and reconcile.

Daleks
Daleks

Meanwhile The Doctor makes his way to Oswin, venturing through the 'intensive care section', containing Daleks who survived encounters with him. However, as soon as he mentions that they ‘survived’ him, the deactivated Daleks come back to life and corner him against the door leading to where Oswin is trapped. Luckily, Oswin hacks into the Daleks' shared information network, and erases all data on him, effectively leaving them with no memory of him.

On entering Oswin's chamber The Doctor, to his horror, discovers that she has been fully converted into a Dalek. Unprotected from the nanogenes for nearly a year, she could not prevent herself from being converted in order to preserve her genius-level intellect for Dalek use. Unable to cope with her conversion, her mind retreated into a fantasy of survival as a human, which was picked up as the Carmen transmission. Oswin is nearly overcome by a Dalek personality at this revelation, though she still possesses human emotions and is unable to kill The Doctor.

Coming to terms with what has happened to her Oswin fulfils her promise of deactivating the force-field, on the condition that The Doctor remembers her as the human she once was, so allowing the Daleks to destroy the planet – but not before The Doctor is able to return to Amy and Rory and activate the teleport to take them off of the planet and back to the TARDIS, which is on board the Dalek spaceship.

On exiting the TARDIS The Doctor discovers that the Daleks do not recognise him due to his removal from their hive intelligence. He jubilantly leaves in the TARDIS and drops the reunited Amy and Rory back home. He then departs alone, delighting in the Parliament of the Daleks’ closing question to him: ‘Doctor who?’ repeating it to himself for his own amusement.

 
Rory Among The Daleks
Rory Among The Daleks
The Awakening Daleks
The Awakening Daleks
The Doctor
The Doctor
Dalek Self Destruct
Dalek Self Destruct
 
The Doctor Trapped
The Doctor Trapped
Oswin
Oswin
The Oswin Dalek
The Oswin Dalek
Teleportation to Safety
Teleportation to Safety




Quote of the Story


 'According to legend, you have a dumping ground. A planet where you lock up all the Daleks that go wrong. The battle-scarred, the insane. The ones even you can’t control. Which never made any sense to me.'

The Doctor



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Release Information

FormatTitleRelease Date (UK)Code NumberCover ArtRemarks
Video
DVD
Doctor Who Series 7 Part 1 Box SetOctober 2012BBCDVD 3697Photo-montageDVD boxed set containing all 5 stories
Video
Blu-Ray
Doctor Who Series 7 Part 1 Box SetOctober 2012BBCBD 0215Photo-montageBlu-Ray boxed set containing all 5 stories
Video
DVD
Doctor Who Series 7 Part 1 Box SetOctober 2012BBCDVD 3697Photo-montageDVD Limited Edition boxed set containing all 5 stories
Video
Blu-Ray
Doctor Who Series 7 Part 1 Box SetOctober 2012BBCBD 0215Photo-montageBlu-Ray Limited Edition boxed set containing all 5 stories
Audio
CD
Original Television Soundtrack - Series 7September 2013Photo-montageMusic by Murray Gold
Video
DVD
The Complete Seventh Series Box SetOctober 2013BBCDVD 3838Photo-montageDVD boxed set containing 15 stories
Video
Blu-Ray
The Complete Seventh Series Box SetOctober 2013BBCBD 0241Photo-montageBlu-Ray boxed set containing 15 stories
Video
DVD
The Complete Seventh Series Box Set (Limited Edition)October 2013BBCDVD 3878Photo-montageLimited Edition DVD boxed set containing 13 stories
Video
Blu-Ray
The Complete Seventh Series Box Set (Limited Edition)October 2013BBCBD 0251Photo-montageLimited Edition Blu-Ray boxed set containing 13 stories
Video
DVD
Asylum of the DaleksSeptember 2013BBCDVD 3813Photo-montagePart of "The Monster Collection - The Daleks" boxset
Video
Blu-Ray
The Complete Series 1-7 Box Set (Limited Edition)December 2013BBCBD 0242Photo-montageLimited Edition Blu-Ray boxed set containing all Series 1-7 stories at full 1080p high definition
Audio
CD
The 50th Anniversary CollectionDecember 2013Photo-montageOriginal Television Soundtracks
Video
DVD
The Complete Seventh Series (2014 Re-release)August 2014BBCDVD 3971Photo-montageBoxed set containing all 15 stories
Video
Blu-Ray
The Complete Seventh Series Box Set (Limited Edition Steelbook)December 2020BBCBD 0517Photo-montageLimited Edition Blu-Ray Steelbook boxed set containing 15 stories


In Print

No Book Release
Doctor Who Magazine - PreviewIssue 451 (Released: October 2012)
Doctor Who Magazine - ReviewIssue 452 (Released: November 2012)

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Karen Gillan
Amy Pond
Arthur Darvill
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Jenna-Louise Coleman
Oswin
   




On Release

DVD Part 1 Box Set
DVD Part 1 Box Set

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Blu-Ray Part 1 Box Set
Blu-Ray Part 1 Box Set

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Ltd Edition DVD Cover
Ltd Edition DVD Cover

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Ltd Edition Blu-Ray Cover
Ltd Edition Blu-Ray Cover

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VIDEO
   
Original Television Soundtrack Cover
Original Television Soundtrack Cover

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AUDIO
Complete Series DVD Box Set
Complete Series DVD Box Set

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VIDEO
Complete Series Blu-Ray Box Set
Complete Series Blu-Ray Box Set

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VIDEO
Complete Series Ltd Edition DVD Box Set
Complete Series Ltd Edition DVD Box Set

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VIDEO
   
Complete Series Ltd Edition Blu-Ray Box Set
Complete Series Ltd Edition Blu-Ray Box Set

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VIDEO
The Monster Collection - The Daleks Cover
The Monster Collection - The Daleks Cover

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VIDEO
Complete Series 1-7 Ltd Edition Blu-Ray Box Set
Complete Series 1-7 Ltd Edition Blu-Ray Box Set

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VIDEO
The 50th Anniversary Collection Cover
The 50th Anniversary Collection Cover

BBC
AUDIO
   
Complete Series DVD Box Set<BR>(2014 Re-release)
Complete Series DVD Box Set
(2014 Re-release)

BBC
VIDEO
Complete Series Blu-Ray Limited Edition Steelbook Box Set
Complete Series Blu-Ray Limited Edition Steelbook Box Set

BBC
VIDEO



Magazines

Doctor Who Magazine - Preview: Issue 451
Doctor Who Magazine - Preview: Issue 451

Marvel Comics
 
Doctor Who Magazine - Review: Issue 452
Doctor Who Magazine - Review: Issue 452

Marvel Comics
   

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